My tenure as editor-in-chief of Guitar magazine is well behind me now, but it always lights me up to create content for musicians, and to absorb it. These are my people, you see, a community of curious, empathic, chronically late daydreamers and night owls, good listeners all. I’m not qualified to comment on Adorno’s Aesthetic Theory or Stravinsky’s Poetics of Music, but neither do I want to talk about rock-star memoirs or fawning fictionalizations. No fanfare here, thank you. Instead, these are five books in which musicians may recognize some element of their creative self and come away with a little more fuel for the fire.
I wrote...
Jim Marshall - The Father of Loud: The Story of the Man Behind the World's Most Famous Guitar Amplifiers
Back in the early 1960s, a handful of brash British kids (including Pete Townshend and Ritchie Blackmore) needed a new sound for a new kind of music. They marched into a music store in their blue-collar town and asked the gentleman behind the counter to build them an amplifier with leg-shaking power and jaw-dropping tone. And he did.
This is the biography of Jim Marshall, founder of Marshall Amplification, from his childhood when he was confined to a full-body cast for nine years, to his gigging life as a big-band drummer, to his success shaping the sound of rock for three generations.
As a professional record producer turned neuroscientist, Daniel Levitan drew me in with his yin-yang mind. Was the intersection of creativity and science really navigable? Could he dispel the notion, at last, that inspiration is beamed down from a cloud? And how did a guy who worked with Stevie Wonder and Rosanne Cash get to be such a nerd?
I lapped up his explanations about musical ideas traveling along neurons and brain chemicals and how it’s possible that physical sound waves elicit an emotional response. I also realized that science and art are not so opposite.
I think people who make music recognize it as an experiment with variables and environmental factors and failures along the way, and that we’ll celebrate when we solve it, and that then the questions will change.
In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music-its performance, its composition, how we listen to it, why we enjoy it-and the human brain.
Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals:
* How composers produce some of the most pleasurable effects of listening to music by exploiting the way…
I feel it’s important to note that I never liked this stupid band. But Mötley Crüe's book was all guilty pleasure for me: pleasure because I knew Seattle grunge had already killed their L.A. hair-band era, and guilty because (a) there turned out to be genuinely poignant moments, which revealed that (b) I’m a snob.
This book is a fast read of a slow-motion car crash, documenting the squalid, drug-sick lives of four self-consumed dingbats who stepped in success and somehow couldn’t scrape it off their shoe. I find this book revolting and recommend it highly.
Celebrate thirty years of the world's most notorious rock band with the deluxe collectors' edition of The Dirt-the outrageous, legendary, no-holds-barred autobiography of Motley Crue. Fans have gotten glimpses into the band's crazy world of backstage scandals, celebrity love affairs, rollercoaster drug addictions, and immortal music in Motley Crue books like Tommyland and The Heroin Diaries, but now the full spectrum of sin and success by Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars is an open book in The Dirt. Even fans already familiar with earlier editions of the bestselling expose will treasure this gorgeous deluxe edition. Joe…
Mingus reveals a life so foreign to my own upbringing—uninhibited, dangerous, angry, crude, at once vulnerable and invulnerable—that I was shocked by this book as a teenage jazz head.
I found his autobiography intimidating, much the way his music shoved me out of my comfort zone. In Mingus’s prose, there is no mistaking the cadences, dissonance, and strange beauty that characterize his formidable body of musical work.
I’ve never bought into the trope that one has to suffer for one’s art but I believed Mingus when he said, “I'm trying to play the truth of what I am."
Bass player extraordinaire Charles Mingus, who died in 1979, is one of the essential composers in the history of jazz, and Beneath the Underdog, his celebrated, wild, funny, demonic, anguished, shocking and profoundly moving memoir, is the greatest autobiography ever written by a jazz musician.
It tells of his God-haunted childhood in Watts during the 1920s and 1930s; his outcast adolescent years; his apprenticeship, not only with jazzmen but also with pimps, hookers, junkies, and hoodlums; and his golden years in New York City with such legendary figures as Duke Ellington, Lionel Hampton, Miles Davis, Charlie Parker, and Dizzy Gillespie.…
Wilco frontman Jeff Tweedy really, really wants everyone to write a song, and I find it terribly endearing.
I picked up his handbook amid a COVID-era creative block, and with Jeff as my songwriting sherpa, I was eventually able to drop some baggage and make my way up. I had already known that music would pay me back for the effort, but Jeff (I think he’d want me to call him Jeff) patiently walks through directly applicable strategies such as word-laddering, stealing, and the Dadaist cut-up technique for lyric writing.
His encouraging nudge made it easier to leave self-judgment and even good sense behind.
'A guide to rediscovering the joys of creating that we all felt as children.' NEW YORK TIMES
One of the century's most feted singer-songwriters, Wilco's Jeff Tweedy, digs deep into his own creative process to share his unique perspective about song-writing and offers a warm, accessible guide to writing your first song, championing the importance of making creativity part of your everyday life and experiencing the hope, inspiration and joy that accompanies it.
'Fascinating.' ROUGH TRADE 'Eloquent.' INDEPENDENT 'Nourishing.' PITCHFORK 'A proselytiser for the act of songcraft.' FINANCIAL TIMES 'A smart,…
That’s right; it’s an entire book of musical notation. Like I said, this list is for players, not civilians.
I love that every note on every original Beatles record is transcribed here, right down to Ringo’s drum fills on “You Won’t See Me” and the guy saying “number nine” a hundred times on “Revolution 9.”
I love sitting down with my kid, who plays guitar, and discovering exactly how to recreate the parts we can’t work out by ear. I love seeing how the Beatles fit the gears together to make the wheels turn on these songs and how they used chords and notes that I have on the piano at my house, too.
(Transcribed Score). A fitting tribute to possibly the greatest pop band ever - The Beatles. This outstanding edition features full scores and lyrics to all 210 titles recorded by The Beatles. Guitar and bass parts are in both standard notation and tablature. Also includes a full discography. Songs include: All You Need Is Love * And I Love Her * Baby You're a Rich Man * Back in the U.S.S.R. * The Ballad of John and Yoko * Blackbird * Can't Buy Me Love * Come Together * Drive My Car * Eleanor Rigby * From Me to You *…
I have spent my entire professional life quietly patrolling the frontiers of understanding human consciousness. I was an early adopter in the burgeoning field of biofeedback, then neurofeedback and neuroscience, plus theory and practices of humanistic and transpersonal psychology, plus steeping myself in systems theory as a context for all these other fields of focus. I hold a MS in psychology from San Francisco State University and a PhD from Saybrook Institute. I live in Mount Shasta CA with Molly, my life partner for over 60 years. We have two sons and two grandchildren.
In this thoroughly researched and exquisitely crafted treatise, Jim Brown synthesizes the newest understandings in neuroscience, developmental psychology, and dynamical systems theory for educators and others committed to nurturing human development.
He explains complex concepts in down-to-earth terms, suggesting how these understandings can transform education to engender optimal learning and intelligence. He explores the nature of consciousness, intelligence, and mind.
Brown then offers a model of optimal human learning through lifelong brain development within a supportive culture--drawing on the work of Piaget, Erickson, Maslow, Kohlberg, and Steiner--and how that work is being vastly expanded by neuroscience and dynamical systems thinking.
Mindleap: A Fresh View of Education Empowered by Neuroscience and Systems Thinking
In this thoroughly-researched and exquisitely crafted treatise, Jim Brown synthesizes the newest understandings in neuroscience, developmental psychology, and dynamical systems theory for educators and others committed to nurturing human development. He explains complex concepts in down-to-earth terms, suggesting how these understandings can transform education to truly engender optimal learning and intelligence. He explores the nature of consciousness, intelligence, and mind. Brown then offers a model of optimal human learning through life-long brain development within a supportive culture--drawing on the work of Piaget, Erickson, Maslow, Kohlberg, and Steiner--and how that work is being vastly expanded by neuroscience and dynamical systems thinking.
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